Yesterday I mentioned Kyle Mainard. He reminded me that arguably the most creative period for Matisse began when he found himself in a wheelchair, forced to invent a new way to paint. And that’s how we got his cut-outs. Then I remembered Jacqui Kenny
No constraint, no breakthrough
No constraint, no breakthrough
No constraint, no breakthrough
Yesterday I mentioned Kyle Mainard. He reminded me that arguably the most creative period for Matisse began when he found himself in a wheelchair, forced to invent a new way to paint. And that’s how we got his cut-outs. Then I remembered Jacqui Kenny